| Titre : |
Berber women of Morocco : [exhibition, Paris, Fondation Pierre Bergé-Yves Saint-Laurent, from March 21 to July 20, 2014, Manama, Bahrain National Museum from January 15 to April 17, 2015, and Rabat, Bibliothèque nationale du Royaume du Maroc, in the spring of 2015] |
| Type de document : |
texte imprimé |
| Auteurs : |
Fondation Pierre Bergé-Yves Saint Laurent ; Fondation Jardin Majorelle |
| Editeur : |
Paris : Artlys |
| Année de publication : |
2014 |
| Importance : |
191 p. |
| Présentation : |
couv. ill. en coul. |
| Format : |
29 cm |
| ISBN/ISSN/EAN : |
978-2-85495-576-7 |
| Prix : |
2550.00 |
| Note générale : |
Bibliogr. p. 189-190 |
| Langues : |
Anglais (eng) |
| Catégories : |
305.8 Sociologie des groupes ethniques, nationaux et raciaux
|
| Mots-clés : |
Femmes berbères : Maroc : Moeurs et coutumes : Catalogues d'exposition Art berbère : Maroc : Catalogues d'exposition |
| Index. décimale : |
305.8 |
| Résumé : |
For the first time, the most beautiful testimonies of the pageantry of Moroccan culture and heritage are presented at the Pierre Bergé Yves Saint Laurent Foundation in Paris, with 70% of the works coming from the collection of the Berber Museum of Marrakech -Fondation Jardin Majorelle- and 30% of the remaining works of the Quai Branly Museum, the Bargoin Museum in Clermont-Ferrand and three other private collections.
After the death of fashion designer Yves Saint Laurent, Pierre Bergé wanted the Majorelle garden in Marrakech to host a museum of Berber civilization, a long-standing joint project, which saw the light of day in 2011 in the painter's former studio.
Wedding necklaces, traditional adornments and festive clothes: the exhibition explores above all the central role of women in the Amazigh-Berber culture to whom it owes its survival through the transmission of traditionally feminine know-how such as weaving, pottery and the making of jewelry and ornaments, basketry, tapestry and also henna tattoos. Everyday tools, ritual objects, jewelry and ancestral costumes including rare handira capes and haik dresses, are brought together to evoke the traditions of Berber women, sedentary or nomadic from the Rif to the Sahara, with a very strong taste for pageantry. |
Berber women of Morocco : [exhibition, Paris, Fondation Pierre Bergé-Yves Saint-Laurent, from March 21 to July 20, 2014, Manama, Bahrain National Museum from January 15 to April 17, 2015, and Rabat, Bibliothèque nationale du Royaume du Maroc, in the spring of 2015] [texte imprimé] / Fondation Pierre Bergé-Yves Saint Laurent ; Fondation Jardin Majorelle . - Paris : Artlys, 2014 . - 191 p. : couv. ill. en coul. ; 29 cm. ISBN : 978-2-85495-576-7 : 2550.00 Bibliogr. p. 189-190 Langues : Anglais ( eng)
| Catégories : |
305.8 Sociologie des groupes ethniques, nationaux et raciaux
|
| Mots-clés : |
Femmes berbères : Maroc : Moeurs et coutumes : Catalogues d'exposition Art berbère : Maroc : Catalogues d'exposition |
| Index. décimale : |
305.8 |
| Résumé : |
For the first time, the most beautiful testimonies of the pageantry of Moroccan culture and heritage are presented at the Pierre Bergé Yves Saint Laurent Foundation in Paris, with 70% of the works coming from the collection of the Berber Museum of Marrakech -Fondation Jardin Majorelle- and 30% of the remaining works of the Quai Branly Museum, the Bargoin Museum in Clermont-Ferrand and three other private collections.
After the death of fashion designer Yves Saint Laurent, Pierre Bergé wanted the Majorelle garden in Marrakech to host a museum of Berber civilization, a long-standing joint project, which saw the light of day in 2011 in the painter's former studio.
Wedding necklaces, traditional adornments and festive clothes: the exhibition explores above all the central role of women in the Amazigh-Berber culture to whom it owes its survival through the transmission of traditionally feminine know-how such as weaving, pottery and the making of jewelry and ornaments, basketry, tapestry and also henna tattoos. Everyday tools, ritual objects, jewelry and ancestral costumes including rare handira capes and haik dresses, are brought together to evoke the traditions of Berber women, sedentary or nomadic from the Rif to the Sahara, with a very strong taste for pageantry. |
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